How 'Showgirl' Became the Sparkling Aesthetic of This Year

Following a long-running stint on the iconic Vegas strip, the dancers from the spectacle Jubilee! gave one last perfectly timed kick in 2016. The production, known for its ornate costumes designed by celebrated designer Bob Mackie, closed its doors due to declining audience numbers and disappointed critics who described it as a spectacle “stuck in the past”.

Today, roughly eight years later, the showgirl, or at least the showgirl style, is making a comeback.

A Master of Glitz

Known as the “master of glitz”, Mackie has made over-the-top showgirl glitz his signature style, outfitting everyone from Marilyn Monroe to Madonna. Earlier this month, a “barely-there” bodysuit he designed for Cher in 1978 sold for $57,600, well over its initial estimate, while a silver and gold beaded bodysuit with lamé wings that Mackie crafted for Tina Turner for a 1977 show sold for $19,200.

“In my view it looks more attractive for the new generation of stars who is seeking something other than what they were accustomed to”, he told a media outlet. “New stars are embracing a glamorous, more theatrical, attention-grabbing, entrance-making statement.”

The Pop Culture Revival

It’s a look that sashayed all the way to the centre of the cultural zeitgeist in 2025 thanks to Taylor Swift. In the past few months, the cultural juggernaut wore one of Mackie’s vintage Jubilee! costumes on the cover of her latest record. The bedazzled bra and thong, plumed armbands and glittering headpiece were ideal for a record titled The Life of a Showgirl.

The singer isn't alone. This year, glamorous nods have been adopted by pop stars including Sabrina Carpenter as they zoomed across concert platforms in sequins, revealing designs and feathers, illuminated against camp sets. Her fashion curator a fashion expert told Vogue he wanted to bring “a showgirl spirit” to her Radical Optimism tour – referencing pictures from the 1950s, her performers waved giant feathered fans.

Pulling from History

Modern stars and other chart toppers also draw on 19th-century performances, including classic theater and dance line references. The results are vastly different from the 1990s era pop style of crop tops and baggy pants, and urban dance moves that were popular earlier.

But some critics are convinced with this showgirl revival. Nancy Hardy, a former Jubilee! showgirl who performed in the 00s says the trend is “confusing”. She thinks the word showgirl title is being “used as an broad label encompassing everything from The Radio City Rockettes to Broadway performers and now apparently today's icons.”

The Highly Sought-After Classic Style

For gen Z and millennial stars, Mackie’s retro designs have become highly covetable. In 2024, a style icon honored to one of Mackie’s iconic muses, Cher, when the star wore a translucent beaded dress made by the designer in 2001, which was reminiscent of one he made for Cher to wear in 1967. Months after, another pop star paid an significant price to buy the Mackie tasseled mini dress she had worn at an awards show to perform at the Grammys. In September, Carpenter wore a trio of vintage Mackie designs at the MTV Video Music Awards. They are also a popular item among collectors.

“The showgirl aesthetic evoke fond memories for a past glamour,” says a historian, an expert at the University of Nevada, who studies the story of showgirls. “Currently it is considered a sort of ‘safe’ sexy because it has been adapted. It has got all the elegance, the crystals and the sparkle but without the nudity.”

More Than Just Style: An Icon of Vegas

The expert says showgirls are central to the imagery of Sin City. She points to one-time leader Oscar Goodman who, during public appearances, was accompanied by two showgirls. Even though Las Vegas does not host any traditional showgirl productions, the historian says they are still employed as an logo of the city, being present at corporate events and in advertisements. “The showgirl is still a lasting figure of Las Vegas spectacle,” Chung says.

The Appeal of Transformation

The former showgirl says the complete change of a showgirl persona is part of the attraction. This is a notion the singer references in a recent documentary series that shows the off-camera action from her extensive 2023 Eras tour, which included gruelling practice sessions, training and numerous performances across 21 countries, each lasting 3.5 hours.

The performer describes her own showgirl performances as “like extreme physical exertion in high heels every night”. Her feathered headdress was 34lbs. “I had to support it all the way up the staircase to the platform from the green rooms three floors below in the lower level. I had to leave early for my cue so I could rest before I made my entrance. You are sweating the whole time but crafting this image that it’s simple and gorgeous and ethereal.”

It could be this is where the true allure of the showgirl really resides. In the busyness of 2025 there is a craving for escapism. What better figure to emulate than showgirls, who have always personified make-believe, perfection and a realm where nobody misses a mark.

Michael Kim
Michael Kim

Aria Sterling is a seasoned luxury travel writer and lifestyle consultant with over a decade of experience exploring the world's most exclusive destinations.